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The Fits
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The Fits

Description
The Fits is a psychological portrait of 11-year-old Toni-a tomboy assimilating to a tight-knit dance team in Cincinnati's West End. But her newfound teammates and friends begin to suffer from terrifying episodes of fainting.
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CRITICS OF "The Fits"
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Guardian
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February 23, 2017

Holmer draws confident, luminous performances from the cast that rise to the occasion but never seem over-coached or phony.
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Observer (UK)
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February 26, 2017

Like Alfred Hitchcock before her, Holmer realises that a threat is most frightening when it wafts in at random, when it can't be explained.
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Detroit News
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September 09, 2016

Using a lot of real-life West End of Cincinnati dancers and athletes in the cast lends the film an authentic feel without ever feeling amateurish, and the specificity of Toni's story resonates outward.
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Sight and Sound
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February 23, 2017

The Fits celebrates young black women, with an accent on their bodies.
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Chicago Reader
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July 28, 2016

[Holmer] and cinematographer Paul Yee infuse the community center, in and around which the entire film takes place, with elements of magical realism to accentuate the protagonist's passage from childhood into adolescence.
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Sunday Times (UK)
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February 26, 2017

Dreamy and enigmatic in the American-indie way.
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Time Out
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February 20, 2017

Hard to pin down, but guaranteed to leave a mark.
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Radio Times
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February 23, 2017

Holmer finds beauty in the little details, from complex dance moves to a simple stare.
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Boston Globe
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July 21, 2016

The movie is a nearly perfect thing, made with such assurance that every shot holds weight and widens your heart.
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Daily Express (UK)
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February 23, 2017

A slight but intense little film.
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Detroit Free Press
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December 29, 2016

What the movie lacks in narrative it makes up for in mood and invention.
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Seattle Times
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July 08, 2016

It's a curious world that Toni is entering, and Hightower's quiet watchfulness takes it all in.
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