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Path of Blood
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Path of Blood

Description
A documentary movie that throws the light on a gathering of youthful, who settled the desert, intended to tumble down the Saudi government by a progression of explosions that they did in downtown Riyadh. Why they did that thing and are they on right?
Actors: N/A
Genre: Documentary
Director: Jonathan Hacker
Country: United Kingdom
Release: 2018
IMDb: N/A
Quality:
Duration: 92 min
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Path of Blood
CRITICS OF "Path of Blood"
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Irish Times
Resource

July 17, 2018

The most fascinating and compromised film of the year.
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Film Inquiry
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July 25, 2018

Terrorists exist, now, and we're still trying to understand their motives. Path of Blood peels back the black masks and gives us a visceral and frightful look.
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Time Out
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July 19, 2018

As eye-opening as it is disturbing, with little in the way of commentary, it's a patchwork of raw, brutal images that weave a chilling narrative of youthful naivety and adventure being warped into death and destruction.
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Cinemalogue
Resource

July 13, 2018

Although some of its structural manipulations seem a little dubious, this even-handed documentary remains a chilling examination of contemporary terror networks.
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Observer
Resource

July 13, 2018

Regardless of your politics, this is a film that cannot fail to move your sense of humanity. It is hair-raising.
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Backseat Mafia
Resource

October 31, 2018

...provides an incredible insight into the mindset of Islamic terror groups.
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Variety
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July 20, 2018

For 90 random and often bloody minutes, we're dunked into the raw life of Al Qaeda. A little of this can go a long way, yet "Path of Blood" does have a verité "thriller" element.
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VODzilla.co
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July 19, 2018

This is frequently a difficult film to watch, but it remains an essential historical document, with something to say about the banality of evil and the way naïve young men are radicalised.
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New York Times
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July 12, 2018

It commands attention as an object lesson in the banality of evil.
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Sunday Times (UK)
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July 18, 2018

All in all, though, it's a film that shows too much - shots of dead bodies - and says too little.
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Los Angeles Times
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July 19, 2018

An archival documentary with the pounding, intimate heart of a Michael Mann thriller...
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Village Voice
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July 11, 2018

Over-objectivity robs the film of any sense of narrative or purpose.
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