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Martha Marcy May Marlene
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Martha Marcy May Marlene

Description
After several years of living with a cult, Martha (Elizabeth Olsen) finally escapes and calls her estranged sister, Lucy (Sarah Paulson), for help. Haunted by painful memories and increasing paranoia, Martha struggles to re-assimilate with her family.
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Martha Marcy May Marlene
CRITICS OF "Martha Marcy May Marlene"
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Metro Times (Detroit, MI)
Resource

March 18, 2014

A moody, atmospheric study in paranoia and tension.
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Philadelphia Weekly

May 03, 2015

Durkin's swaggeringly confident film utilizes long takes and tension within compositions to conjure an all-consuming sense of unease.
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Entertainment Weekly
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February 18, 2012

MMMM emphasizes the social and economic discrepancies between Martha's then and now, and alludes to Lucy's guilt about not being there for her younger sister in the past.
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Austin American-Statesman
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March 18, 2014

In a world lacking trust, every movement seems a threat, around every corner lurks betrayal.
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Time Out
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January 31, 2012

Once we've got over the frustration of this promising film's abrupt ending, we're left with the feeling that you can escape a cult but you can't escape yourself.
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Epoch Times
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July 03, 2016

'Martha Marcy May Marlene' is the vehicle with which the youngest Olsen sister moves out of her famous older twin siblings' shadows, and establishes herself as the serious artist of the family. She's magnificent.
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Associated Press
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March 18, 2014

In quiet, intimate ways, it is one of the most startling, haunting films you'll see all year.
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People Magazine
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March 18, 2014

The beauty of Olsen's star-making performance is inarguable.
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Detroit News
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November 04, 2011

A purposely disturbing portrait of a damaged psyche.
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Canada.com
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March 18, 2014

Martha is a cipher in the mounting drama, but Olsen manages to give her real life with a sort of reverse charisma, curling her physical beauty into poses of aggression or loss.
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Christian Science Monitor
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March 18, 2014

Durkin intersperses the present-day scenes with increasingly revelatory flashbacks from Martha's two years in the cult.
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Denver Post

November 04, 2011

Durkin depicts a horror that some among us actually live, where the search for family leads to something familiar and dangerous.
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