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Butch Cassidy And The Sundance Kid
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Butch Cassidy And The Sundance Kid

Description
In Bolivia, in the early 20th century, when Butch Cassidy and Sundance tried to break the law and commit several crimes, including murder, bank robbery, theft of railways, violent battles, and others. Suddenly, these same people found themselves fleeing numerous pursuits by police and intelligence and there was no solution but to flee to Bolivia. But it did not end up in Bolivia, but things got worse when they expanded their criminality and seriousness. It's the story of two outlaws who formed a dangerous gang that threatened the world.
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CRITICS OF "Butch Cassidy And The Sundance Kid"
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EmanuelLevy.Com
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January 12, 2007

A cool, charming, anachronistic Western, with great chemistry between Newman and Redford, that reimagines the genre for youths of the era by turning the outlaws into mythic figures.
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Ozus' World Movie Reviews
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July 25, 2010

Fine escapist entertainment.
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TIME Magazine
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October 01, 2008

Every character, every scene, is marred by the film's double view, which oscillates between sympathy and farce.
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7M Pictures
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June 08, 2006

Looking at the film with a totally modern set of eyes, completely detached from the hype of Newman and Redford in the late 60s, I didn't find a connection to the movie.
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Variety
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October 01, 2008

The John Foreman production is episodic, but George Roy Hill's direction is so satisfying in catching the full value of the Goldman screenplay that a high degree of interest is sustained.
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Common Sense Media

January 02, 2011

Funny and poignant tale of two famous outlaws.
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Hollywood Reporter
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October 03, 2015

It is a great film and will be an exceptionally popular and profitable one.
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Film4
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October 01, 2008

One of cinema's greatest ever advertisements for pure entertainment...
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Time Out
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June 24, 2006

One of the funniest, if slightest, Westerns of recent years.
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TV Guide
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October 01, 2008

Although much of its freshness has faded, this still-amusing film reinvented the Western for a new generation.
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Chicago Reader
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May 27, 2011

You have to admire the craft and assurance of the thing even as its artificiality hits you in the face.
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Chicago Sun-Times
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October 23, 2004

William Goldman's script is constantly too cute and never gets up the nerve, by God, to admit it's a Western.
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