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A Moving Image
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A Moving Image

Description
Being involved in a case of gentrification, a young famous actress, Nina Edwards, who after a long absence, returns to her home, Brixton, where she is surprised by the change and the transformation of its people, as some white people dominate buying the building, she decides to paint a piece of art in order to create cooperation between its people.
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A Moving Image
CRITICS OF "A Moving Image"
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The List
Resource

April 24, 2017

A small film with big ambitions and an even bigger heart, A Moving Image has a message that goes beyond its limited scope.
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Financial Times
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April 27, 2017

Fittingly, the film is itself a grand collage, drama spliced with documentary, music and dance.
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Observer (UK)
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April 30, 2017

Although the film's approach to issues is a little on the nose at times, in Amoo, we are introduced to a distinctive and bold new voice in British cinema.
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HeyUGuys
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April 24, 2017

The fictional parts of the film are underdeveloped with ideas that go nowhere. It's the nonfictional parts, however, that will see audiences pay attention, and understand to the plight gentrification has on working class residents.
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The Sun (UK)
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April 27, 2017

Writer and director Shola Amoo is almost certainly headed for great things.
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Times (UK)
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April 27, 2017

This impassioned docudrama makes the unfortunate mistake of confusing artistic ambition with intellectual incoherence.
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Time Out
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April 25, 2017

Director Shola Amoo does a brilliant job of getting under the skin of gentrification.
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Guardian
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April 27, 2017

The movie shrewdly lays out how a district's bohemian and diverse character is what makes it vulnerable to long-term predatory investment, pushing Brixton in the direction of white Notting Hill.
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Radio Times
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April 27, 2017

Amoo boldly attempts to explore the social, economic and political aspects of gentrification with this freewheeling docudrama.
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Total Film
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April 25, 2017

The complexity of the topic is well handled, and Brixton itself is full of vibrancy, but the film prompts more questions than it manages to answer.
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CineVue
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December 28, 2017

The simple title, loaded with meaning, should not disguise just how much is packed into this profound and articulate debut feature from a very promising London-based filmmaker.
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Daily Express (UK)
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April 27, 2017

Romantic travails and professional dreams feel trite in a sincere affair that feels fatally undercooked.
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